I Want to See the Pope! | Crete
Tour
I Want to See the Pope! | Crete

ΤΗΕ GREEK NATIONAL OPERA TOURS GREECE - Theophrastos Sakellaridis

May 2026
Δημιουργική Ομάδα

Stage direction: Natasha Triantafylli|
Arrangement for a four-member instrumental ensemble: Michalis Papapetrou
Music coach: Nicolas Vassiliou
Dramaturgy, adaptation: Elena Triantafyllopoulou
Sets, costumes: Tina Tzoka
Movement: Dimitra Mitropoulou
Lighting design: Christos Tziogkas

Cast: Dimitris Sigalos (Varonas), Vangelis Maniatis (Latroudis), Julia Souglakou (Mrs Latroudis), Chrissa Maliamani (Anna), Nicolas Maraziotis (Adrianos),  Marisia Papalexiou (Rita), Antonis Kyriakakis (Dimosthenis)

Featuring the musicians: Odysseas Siozopoulos (clarinet), Dionysis Vervitsiotis (violin), Oswald Amiralis (double bass), Konstantinos Zigkeridis (accordion)

Πρωταγωνιστές Παράστασης

Tour schedule:
19 May 2026 – Multicentre (Polykentro) of the Municipality of Siteia, “Melina Merkouri” Hall, Siteia | At 20.30
21 May 2026 – Ierapetra City Hall “Melina Merkouri” Conference Hall, Ierapetra | At 20.30
23 May 2026 – “Mikis Theodorakis” Theatre, Chania| At 20.30

Tour

ΤΗΕ GREEK NATIONAL OPERA TOURS GREECE

I Want to See the Pope! | Crete

Theophrastos Sakellaridis

Available Dates

  • 19, 21, 23 May 2026

Operetta • Greek National Opera Alternative Stage

Admission will be free to the public. Access to indoor venues will be available on a first-come, first-served basis.

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Lead GNO & Tour Donor

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Tour sponsor

 CrediaBank

 

Transportation sponsor

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The legendary operetta I Want to See the Pope! by Theophrastos Sakellaris continues its successful tour around Greece, directed by Natasha Triantafylli, with the participation of an excellent cast of opera singers and musicians.

The operetta I Want to See the Pope! (1920) fully explores Theophrastos Sakellaridis’ modern bourgeois themes. The composer also penned the libretto, which is a domestic adaptation of Maurice Hennequin’s farce Les joies du foyer (1894). The plot features a newly married bourgeois couple whose relationship is disrupted during their honeymoon trip in Rome when the young wife expresses the desire to see the Pope up close!

The work’s style, language, characters, music, and rhythm reveal a captivating stage world where hypocrisy, exaggeration, exhibitionism, and the unquestioned idealization of certain social institutions are sharply satirized. The audience witnesses a wedding, the expectations of the newlyweds and their relatives, and a Pope who—although he never appears—remains the unseen protagonist of the show throughout its duration, serving as a reminder of the fact that confusion, mix-ups, and the pitfalls of established values are often inextricable parts of human desire.