Silence, the King Is Listening | Crete
Tour
Silence, the King Is Listening | Crete

ΤΗΕ GREEK NATIONAL OPERA TOURS GREECE - Nikos Kypourgos

May 2026
Δημιουργική Ομάδα

Libretto: Thomas Moschopoulos (in collaboration with the composer)
Transcription for small ensemble: Kharálampos Goyós
Stage director: Theo Abazis
Set & costume designer: Kenny MacLellan
Lighting designer: Nikos Sotiropoulos
Associate director: Eleana Tsichli

Cast: Haris Andrianos (King), Vassia Zacharopoulou (Muse), Nicholas Stefanou (Musician)

Featuring the musicians: Ilias Skordilis (clarinet), Sofia Efkleidou (violoncello), Christos Sakellaridis (piano)

Πρωταγωνιστές Παράστασης

Tour schedule:
7 May 2026 – “Dimitris Vlissidis” Theatre, Chania
Morning performances at 10.00 and at 11.30
9 May 2026 – Ierapetra City Hall “Melina Merkouri” Conference Hall, Ierapetra
Morning performances at 10.00 and at 11.30
10 May 2026 – Multicentre (Polykentro) of the Municipality of Siteia, “Melina Merkouri” Hall, Siteia
Morning performances at 10.00 and at 11.30
12 May 2026 – Kinimatotheatron of Anogeia (Cinema Theatre), Anogeia
Morning performances at 10.00 and at 11.30
13 May 2026 – House of Culture, Rethymno
Morning performances at 10.00 and at 11.30

 

Tour

ΤΗΕ GREEK NATIONAL OPERA TOURS GREECE

Silence, the King Is Listening | Crete

Nikos Kypourgos

Available Dates

  • 07, 09, 10, 12, 13 May 2026

Music theatre for young audiences • Greek National Opera Alternative Stage production

Admission will be free to the public. Access to indoor venues will be available on a first-come, first-served basis.

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Lead GNO & Tour Donor

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Tour sponsor

CrediaBank

 

Transportation sponsor

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The brilliant musical Silence, the King Is Listening, by the distinguished composer Nikos Kypourgos, one of the most successful productions of the Greek National Opera, offers an immersive music theatre experience that introduces audiences to the enchanting world of the genre. Its educational character, entertaining performances, and exceptionally direct musical language help convey the fundamentals of music even to uninitiated audiences, in the guise of a game.

The Music King is never satisfied, no matter which pieces his court Musician plays. The Musician is roused from his despair by the Muse, who seizes the chance to return to a job she had not practiced since the glorious eras of Schubert, Mozart, and Bach. She enlists the help of the seven notes of the musical scale, inspiring the Musician to write a wonderful piece – which, once again, fails to satisfy the King! It’s time, therefore, for the imagination to give (as always!) a solution…

The musical Silence, the King Is Listening draws on Hans Christian Andersen’s fairy tale The Emperor’s New Clothes. Deftly poised between operatic traditionalism and playful postmodernism, the work serves as a perfect introduction for both young and older audiences into the concepts, techniques, and tools of musical writing.  “Silence, the King Is Listening is not a work written for children. Only after its completion did some see in it an educational character that made it appropriate for children as well. Therefore, in a way, what I’ve always believed became apparent: that the boundaries between works for adults and works for children are never too clear or too discernible,” notes the composer, Nikos Kypourgos.