The Emperor’s Nightingale
Stavros Niarchos Hall
The Emperor’s Nightingale

Children's performances - Lena Platonos

November, December 2026 & January 2027
Δημιουργική Ομάδα

Arrangement: Lena Platonos, Stergios Tsirliagos
Libretto: Giorgos Voloudakis
Stage director: Katerina Petsatodi
Animation: Eirini Vianelli
Sets: Evangelia Therianou
Costumes: Alexia Theodoraki
Sound designer: Stergios Tsirliagos

Πρωταγωνιστές Παράστασης

Tickets will go on sale on 1 June 2026.
Booking for members of the operaclub.nationalopera.gr has already opened.

Ticket prices: 50€, 40€, 35€, 30€, 25€, 20€, 15€
Students, children: €15*
Limited visibility seats: €10

* PRICES APPLY TO ADULTS. CHILDREN’S TICKETS ARE PRICED AT €15 FOR ZONES D, E, F, AND G.
FOR ALL OTHER ZONES, A 50% DISCOUNT ON THE STANDARD PRODUCTION PRICES APPLIES.
THE SCHOOL TICKET PRICE IS 15€.

Stavros Niarchos Hall

Children's performances

The Emperor’s Nightingale

Lena Platonos

Available Dates

  • 03, 05, 11, 12, 13 Nov 2026
  • 27 Dec 2026
  • 03, 09, 10 Jan 2027

Opera for young audiences • Revival
Stavros Niarchos Hall of the GNO – SNFCC

Starts at: 11.00 | clock

 

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Lead Donor of the GNO

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What happens when the art of opera meets animation and the electronic sounds of synthesizers? The answer will be presented on the stage of the Stavros Niarchos Hall with the revival of Lena Platonos’ musical fairy tale, The Emperor’s Nightingale, scheduled to run from 3 November for nine performances. Based on Hans Christian Andersen’s fairy tale of the same name, the work returns to the Greek National Opera following the enthusiastic reception it received during the 2018/19 and 2019/20 seasons.

The story unfolds in the Chinese Emperor’s courtyard, in a world where technology seems to have replaced all authentic experiences. When the Emperor discovers a real nightingale, he is enchanted by its song and confronted with the overwhelming power of art. However, the arrival of a mechanical ‘perfect’ nightingale draws him away from this experience, gradually leading to his alienation. Only when the artificial construct stops functioning and he himself faces death does the return of the real nightingale restore the vital force of art and life.

Lena Platonos’ composition, which she herself has described as a ‘musical fairy tale with operatic elements’, with a libretto by Giorgos Voloudakis, transforms the fairy tale into a modern parable about humanity’s relationship with technology and nature. With her distinctive compositional language, which combines analogue and electronic sounds, Platonos creates a sonic universe of rare sensitivity, in which the melody’s simplicity blends with imagination and innovation. The coexistence of natural and artificial sounds, the imaginative use of animation and live performance, Lena Platonos’ melodic lines, and her masterful vocal writing make The Emperor’s Nightingale an ideal, multifaceted introduction to the magical world of opera for children.

Katerina Petsatodi’s direction and Eirini Vianelli’s animation craft a world that vibrates with colour and movement; a universe where palaces and gardens, machines, and imaginary creatures coexist in a delicate balance between the natural and the artificial. The image becomes part of the narration, serving as yet another hero who evolves as the action progresses.

The Emperor’s Nightingale is a profoundly poetic allegory that illustrates the value of authenticity over artificiality, the power of art that cannot be constrained, and the delicate balance between humanity and the world we create. With its enchanting simplicity and contemporary perspective, the work becomes a comprehensive stage experience that reaches and moves audiences of all ages.