Powder her face Powder her face
Alternative Stage
Powder her face
SEASON 2019/20 - Thomas Adès
October - November 2019
Δημιουργική Ομάδα

Philip Hensher

Nicolas Vassiliou

Alexandros Efklidis

Sets, costumes
Yannis Katranitsas

Fotis Diamantopoulos

Lighting designer
Melina Mascha


Πρωταγωνιστές Παράστασης

Cast: Justine Viani, Chrissa Maliamani, Christos Kechris, Yanni Yannissis

With Ergon Ensemble


Ticket prices: €15, €20 
Students: €10

Alternative Stage

Powder her face

Thomas Adès

Greek premiere 

Greek National Opera Alternative Stage 
Stavros Niarchos Foundation Cultural Center 

Starts at: 20.30 (Sunday: 19.00|   

The masterly scandal-based opera Powder her face (1995) of the British music scene’s enfant terrible and Grammy and Laurence Olivier award-winner, Thomas Adès, will receive its Greek premiere at the GNO Alternative Stage.
The work is based on the scandalous life of Margaret Campbell, Duchess of Argyll, who in 1963 shocked the English audience with her sexual excesses. The Duchess’ true and bold story, her love affairs, passions, divorces and tragic death are wonderfully portrayed through the enrapturing music of charismatic composer Thomas Adès –considered by many as Benjamin Britten’s successor– and Philip Hensher’s libretto with its peculiar language and provocative love scenes.
In his music, Thomas Adès elaborately combines various influences from Igor Stravinsky, Alban Berg and Benjamin Britten to Kurt Weil’s cabarets and Astor Piazzola’s tangos, creating an opera already considered a modern classic and performed in the world’s leading opera houses.


Nicolas Vassiliou Conductor

Pianist, conductor and composer, born in Athens. He studied piano and theory in Athens and New York, as well as conducting at the Royal Scottish Academy of Music and Drama (RSAMD) (Athens Academy scholarship). He taught music in schools; piano and chorus direction at the National Conservatory of Athens. Director of the “Manolis Kalomiris” Children’s Chorus (1992-2000), he has collaborated, among others, with the Greek National Opera, Athens Festival, Athens Concert Hall (Megaron). Since 1994, as a vocal coach (correpetition) he has participated in the musical preparation of more than sixty GNO productions. GNO Chorus master (2005/11), head of the GNO Studio Opera (2012/15) and conductor of the Contemporary Opera since 2010, with plenty Greek premieres in his career. Music consultant of the Athens Festival (2017/18). He has conducted, among others, the GNO Orchestra, Athens State Orchestra, Hellenic Broadcasting Corporation Symphony Orchestra, Athens Municipality Symphony Orchestra.

Alexandros Efklidis Director

Born in Thessaloniki, he studied at the School of Drama (Faculty of Fine Arts) of the Aristotle University of Thessaloniki, where he also completed his PhD. Ηe continued with postgraduate theatre studies at the University of Paris III. He has taught at the School of Drama (Faculty of Fine Arts) of the Aristotle University of Thessaloniki, at the Department of Music Science and Art (University of Macedonia), at the Department of Theatre Studies (University of Patras), as well as at the Schools of Drama of the National Theatre, Athens, and the National Theatre of Northern Greece, Thessaloniki, where he also worked as a repertoire consultant. As a music theatre director he has worked with the Greek National Opera, Athens Festival, Neukölln Opera in Berlin, Thessaloniki Concert Hall, Opera of Thessaloniki, “Beggars’ Operas”, Municipal Theatre of Patras, Onassis Cultural Center, etc. He has directed works of classical repertoire, as well as works of contemporary composers, such as Giorgos Koumendakis’ The Murderess (Greek National Opera, 2014). Since February 2017 he has been artistic director of the Alternative Stage of the Greek National Opera.

Yannis Katranitsas Sets, costumes

Born in Thessaloniki, he studied business administration, costume and interior design. As a set and costume designer he has collaborated with the Greek National Opera, Athens Concert Hall (Megaron), Thessaloniki Concert Hall, National Theatre of Northern Greece, Onassis Cultural Center, Athens Festival, Parnassus Arts Productions, Demetria Festival, Municipal and Regional Theatres of Larissa and Roumeli, Cultural Organization of Kalamaria Municipality, Municipality of Thessaloniki. He has also curated exhibitions and designed exposition stands for organizations such as HELEXPO-Thessaloniki International Exhibition, Folklife and Ethnological Museum of Macedonia-Thrace, Macedonian Museum of Contemporary Art (Thessaloniki), War Museum of Thessaloniki, Science Center and Technology Museum “Νoesis”, New Bulgarian University in Sofia, as well as for many event and show production companies.

Fotis Diamantopoulos Movement

He studied at the Kiev Academy of Dance and at the Budapest Academy of Dance. Since 1997 he has been a member of the Greek National Opera Ballet, while in 2003 he became Demi-soloist. He has collaborated with the dance company of the National Theatre of Northern Greece, the Ballet of the Kazan Opera (Tatar), he has participated in productions of the Athens Concert Hall (Megaron), as well as in contemporary and classical dance independent productions. He taught classical dance in the GNO Professional Dance School and at the Rallou Manou Dance School. Between 2011-2013 he was a répétiteur at the GNO Ballet. He has choreographed and presented dance events and has worked on the choreography and movement of various theatre, opera and operetta productions for the GNO, the GNO Alternative Stage, the National Theatre of Greece, the Athens Concert Hall (Megaron). Since 2017 he has served as ballet master and assistant choreographer at the GNO Ballet.

Melina Mascha Lighting designer

Born in Athens, she graduated from the School of Drama (Faculty of Fine Arts) of the Aristotle University of Thessaloniki. She continued her studies in London (MA in Theatre Directing / Middlesex University, MA in Advanced Theatre Practice, Lighting Design / CSSD). Since 2000 she has been cooperating with all leading theatre organizations in Greece, such as National Theatre (Athens), National Theatre of Northern Greece, Municipal and Regional Theatres of Greece, Athens Concert Hall (Megaron), Thessaloniki Concert Hall, Greek National Opera, Onassis Cultural Center, as well as Athens and Epidaurus Festival. She has been cooperating with the Greek National Opera since 2008.

Justine Viani Duchess

Australian-born soprano, she made her stage debut as Salome in Richard Strauss’ same name opera at the Heidelberg State Theatre in April 2010. Since then she has appeared internationally performing roles such as Tosca (Tosca), Daphne (Daphne), Kaiserin (Die Frau ohne Schatten), Sieglinde (Die Walküre), Gerhilde (Die Walküre), Salud (La vida breve), Desdemona (Otello), Santuzza (Cavalleria rusticana), Agathe (Der Freischütz), Donna Elvira (Don Giovanni), Vitellia (La clemenza di Tito) and has previously sung the Duchess (Powder Her Face) at the New York City Opera in 2012. She has also performed extensively as an oratorio soloist and Lieder recitalist. She has succeeded in many international competitions, including being a finalist in three (London, Vienna and Sydney), and winning two Wagner prizes of the Society of the Friends of Bayreuth. She has been fortunate to have studied with legendary figures of the opera world such as sopranos Inge Borkh, Ute Vinzing, Montserrat Caballé, tenor Dennis O’Neill and conductor Richard Bonynge.

Chrissa Maliamani Maid

Greek soprano, born in Thessaloniki. She studied voice at the New Conservatory of Thessaloniki under Varvara Tsambali (diploma with honours) and completed her postgraduate studies at the Würzburg University of Music under Cheryl Studer. While studying she sang such roles as Blonde (Die Entführung aus dem Serail), Fanny (La cambiale di matrimonio), Zerbinetta (Ariadne auf Naxos), Rosina (Il barbiere di Siviglia) and Adele (Die Fledermaus). Between September 2012 and July 2014 she was a member of the Ensemble of the Plauen-Zwickau Theatre, where she performed numerous roles such as Despina (Così fan tutte), Ännchen (Der Freischütz), Frasquita (Carmen) and Graziella (Detlev Glanert’s Joseph Süss). Recently she performed the title roles in Lucia di Lammermoor (Gaetano Donizetti) and Carlo Coccia’s Caterina di Guisa, as well as the roles of Leila (Les Pêcheurs de perles) and Eurydice (Orphée aux enfers). At the Greek National Opera she has sung Pamina (Die Zauberflöte), Susanna (Le nozze di Figaro) and Frasquita (Carmen).

Christos Kechris Electrician

Greek tenor, he has been collaborating with the GNO since 2008. He studied classical guitar under Iakovos Kolanian and he is a graduate of the Faculty of Theatre Studies (University of Athens). He has interpreted, among others, Don Ottavio (Don Giovanni), Mendoro (Orlando paladino), Tamino / Monostatos (Die Zauberflöte), Polidoro (La finta semplice), Conte Eugenio (L’amante di tutte), Hans Scholl (Weisse Rose), Cricket (Z), Captain Vaggos (The Princess of Sazan), Janek (Věc Makropulos), Beppe (Pagliacci), Goro (Madama Butterfly), Remendado (Carmen), Verdelis (Pic-nic), Tanzmeister (Ariadne auf Naxos), Orestes (Oresteia), Pylades (Iphigenia in Tauris). He has been a soloist in oratorios by Lully, Charpentier, Goldberg, Handel, Haydn and Mozart, and has collaborated with orchestras and theatres in Switzerland, Germany, Austria, Italy, Slovenia, Turkey, France, Croatia. He has worked with the Athens State Orchestra, Armonia Atenea, Hellenic Broadcasting Corporation Symphony Orchestra, Latinitas Nostra, Athens Municipality Symphony Orchestra, National Theatre, Athens Festival, Athens and Thessaloniki Concert Halls, Onassis Cultural Center, Greek Composers’ Union, etc.

Yanni Yannissis Hotel manager

Greek bass-baritone, he studied singing at the Athens Conservatory with Kiki Morfoniou and continued his studies in New York under Charles Kellis (Maria Callas scholarship, 1990). He has performed at the most famous opera houses worldwide such as Metropolitan Opera (New York), La Monnaie (Brussels), Scottish Opera, Frankfurt Opera House, etc as Banco (Macbeth), Colline (La bohème), Escamillo (Carmen), Leporello (Don Giovanni), Angelotti and Scarpia (Tosca), Capulet (Roméo et Juliette), Sharpless (Madama Butterfly) as well as next to Luciano Pavarotti, Plácido Domingo and under James Levine. At the Greek National Opera he has sung, among others, in operas like Andrea Chénier, Carmen, Fedora, Die Zauberflöte, Anna Bolena, Il trovatore, Peter Grimes and Věc Makropulos. He has received awards and distinctions in international competitions such as the Grand Prix Maria Callas (1987), MEF (1991). In addition, he has performed at the Athens Concert Hall as well as with the Athens State Orchestra, Orchestra of Colours, Music Ensembles of Hellenic Broadcasting Corporation in concerts in Greece and abroad. He has recorded extensively.


Ergon Ensemble

Ergon Ensemble performs works of contemporary music and has created a sensation with its performances at the Onassis Cultural Center, Athens Festival, Athens Concert Hall (Megaron), GNO, and at other venues, receiving praise for its exciting and meticulous interpretations. The ensemble aims to promote contemporary masterpieces and new works of the international repertoire. At the same time, it promotes Greek works to the international music stage. Ergon Ensemble was founded in 2008; its members are exceptionally talented musicians who have participated in the past at the International Academy of Ensemble Modern. A flexible ensemble, with its core formation further reinforced, depending on the project, by a great number of young artists specializing in avant-garde music. Other than concerts, the ensemble has made recordings and organizes educational projects as well as productions that combine other forms of art, such as dance, music theatre and multimedia. It has performed in various festivals and productions in Greece and Europe.

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