Don Giovanni Don Giovanni
Odeon of Herodes Atticus
Don Giovanni
SEASON 2013/14 - Wolfgang Amadé Mozart
June 2014
Δημιουργική Ομάδα

CONDUCTOR
Lukas Karytinos

DIRECTOR
Yannis Houvardas

SETS
Eva Manidaki

COSTUMES
Ioanna Tsami

LIGHTING
Lefteris Pavlopoulos

CHORUS MASTER
Agathangelos Georgakatos

Πρωταγωνιστές Παράστασης

DON GIOVANNI
Franco Pomponi (11, 13/6)
Dionyssis Sourbis (14, 15/6)

DONNA ANNA
Myrtò Papatanasiu (11, 13, 15/6)
Francesca Dotto (14/6)

DON OTTAVIO
Antonis Koroneos (11, 13, 15/6)
Μusa Nkuna (14/6)

IL COMMENDATORE
Dimitri Kavrakos (11, 13, 15/6)
Τassos Apostolou (14/6)

DONNA ELVIRA
Cellia Costea (11, 13, 15/6)
Μaria Luigia Borsi (14/6)

LEPORELLO
Christophoros Stamboglis (11, 13, 15/6)
José Fardilha (14/6)

ΜASETTO
Petros Magoulas (11, 13, 14, 15/6)

ZERLINA
Maria Mitsopoulou (11, 13, 14, 15/6)

Odeon of Herodes Atticus
Opera

Don Giovanni

Wolfgang Amadé Mozart

11, 13, 14, 15 June 2014
ODEON OF HERODES ATTICUS
New production within the framework of the Athens Festival
Starts at 21.00 | clock

Exclusive Sponsor eurobank

With the Orchestra and Chorus of GNO

Presale at:
the Olympia Theatre Box Office
(59-61, Akadimias str., tel.: 210 3662100)
the Greek Festival Box Office
(39, Panepistimiou str., inside the Pesmazoglou Arcade, tel.: 210 3272000)

For its first production in the summer of 2014 at the open-air Herod Atticus Theatre, the GNO has selected one of the greatest masterpieces of Western culture, Mozart’s Don Giovanni. Through his music, Mozart evokes all of the phases experienced by a man who challenges God and takes his fate into his own hands. Nothing is as it seems in this emblematic piece, which heralded the advent of musical Romanticism in the most poignant way. The production is directed by Yannis Houvardas, an acclaimed Greek director and until recently director of the Greek National Theatre. Houvardas has had extensive experience in directing operas at leading houses in Europe, such as at the operas of Gothenburg and Copenhagen. In Greece, this is the first time he is directing an opera and his first collaboration with the GNO. For an opera like Don Giovanni which was so innovative for its time, Yiannis Houvardas’s incisive approach is greatly anticipated at the Roman-era amphitheatre.

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