STAVROS NIARCHOS FOUNDATION
364 Syggrou Avenue, Kallithea
Τicket prices: 18 €, 25 €
Students, children: 15 €
Greek National Opera Alternative Stage
Stavros Niarchos Foundation Cultural Center
Starts at: 20.30 |
One-act opera based upon Jean Cocteau’s monologue of the same title
After forty years of friendship with Jean Cocteau, Francis Poulenc composed in 1958 this one-act “lyric tragedy” based upon the theatrical monologue of the same title that the author wrote in 1928. The inspiration for both these creators was the end of a painful love affair.
In the beginning, his publisher had proposed that Poulenc composed the monologue for Maria Callas, who at that time was at the apogee of her fame. However, the composer chose to collaborate with the French soprano Denise Duval, whose tempestuous love life he knew of and who had just recently performed Blanche in his opera Dialogues des Carmélites, which had been successfully presented at La Scala in Milan in 1957. Duval helped to transcribe the play for the opera and later on she was also the first one to interpret the role.
Elena Kelesidi, after the three hundred years of loneliness she experienced as Emilia Marty in Leoš Janáček’s opera Věc Makropulos, is called upon this year to live the last forty minutes of a relationship and may be of a life…
Panaghis Pagoulatos Director
He studied physics at the University of Athens and continued with post-graduate studies in acoustics and epistemology in Paris, as well as theatre studies at Sorbonne University. Since 1988 he has been working as an assistant director and as a director in France, Belgium, Switzerland, Italy, Germany, Ireland, Israel, etc. Since 2001 he has been collaborating with the GNO, Athens Festival, Opera of Thessaloniki, National Theatre of Greece, Athens Chamber Opera, among others. In Greece he has directed the productions Dido and Aeneas (Purcell), The Telephone (Menotti), Le Mariage aux lanternes (Offenbach, Greek premiere), L’Olimpiade (Paisiello, world premiere), Il ritorno d’Ulisse in patria (Monteverdi), Le toréador (Adam, Greek premiere). For the GNO he directed Alcina (Händel), Der Schauspieldirektor (Mozart), La Serva padrona (Pergolesi), three one-act works for GNO’s Experimental Stage, Tosca (in collaboration with Nikos S. Petropoulos), Aida at the Odeon of Herodes Atticus. From 2011 to 2017 he worked as artistic coordinator at the Opera and Philharmonic Orchestra of Nice in France. Since 2017 he has been Director of Artistic Programming & Casting at the GNO.
Tota Pritsa Sets, costumes
Set and costume designer. She studied set design at the Hellenic Cinema-Television School Stavrakos. From 1987 to 2017 she has worked as assistant set designer and later as collaborator set designer of Giorgos Patsas in more than 250 theatrical productions. She has collaborated, among others, with Pepi Economopoulou (Antiocheias Street Theatre), Maya Lymberopoulou (Kefallinias Street Theatre), Mimis Kougioumtzis (Greek Art Theatre Karolos Koun), Thanasis Papageorgiou (Stoa Theatre), Giorgos Kimoulis (Amiral Theatre), Giorgis Theodosiadis (Victoria Theatre), Stamatis Fasoulis (Athens Concert Hall), Nikaiti Kountouri (GNO), Antonis Antypas (Aplo Theatre), Mimi Denissi (Theatron Hellenic Cosmos), Danis Katranidis (Poli Theatre). She has worked with Vladimir Vasiliev for the production Don Quixote (GNO), Chet Walker for the production Sweet Charity (Badminton Theatre), and Rob Ruggiero for the production Fiddler on the Roof (Badminton Theatre). She has worked with filmmakers Tonia Marketaki, Nikos Papatakis, Theo Angelopoulos, among others, as well as in various television productions.
Christos Tziogkas Lighting
He was born in Thessaloniki, Northern Greece, where he started working professionally as a photographer and lighting designer in theatre for dance and music performances. He has collaborated with numerous artists.
Elena Kelessidi Elle
Greek soprano, she was born in Kazakhstan and studied at the Conservatory of Astana. She made her debut in Greece as Konstanze in Die Entführung aus dem Serail (Greek National Opera, 1993/94). She has sung many leading roles in prestigious stages and theatres worldwide such as Vienna State Opera, Metropolitan Opera (New York), Opera Bastille (Paris), in Berlin, Hamburg, Munich, Amsterdam, Zurich and Tokyo, as well as in major festivals. For eleven years she had been performing at the Royal Opera House (Covent Garden, London) such roles as Violetta (La traviata), Queen of Shemakha (The Golden Cockerel), Cleopatra (Giulio Cesare in Egitto), Mimì (La bohème), Luisa (Luisa Miller), Giulietta (I Capuleti e i Montecchi), Liù (Turandot), Amina (La sonnambula), Antonia (Les Contes d’Hoffmann), Marguerite (Faust) and Emilia Marty (Vĕc Makropulos). She has collaborated, among others, with Plácido Domingo, Kent Nagano, Bruno Campanella, Riccardo Chailly and Yehudi Menuhin. She is a permanent soloist of the Greek National Opera, where she has sung leading roles in numerous productions and artistic events (“The Suitcase Opera”, “Pocket Concerts”, etc).
Sophia Tamvakopoulou Piano
She holds a diploma in piano (class of M. Kokkalis), harmony, counterpoint and fugue (class of G. Kabanas and S. Klapsis) from the National Conservatory of Athens. She continued her piano studies in Athens and Paris with E. Mouzalas, A. Lefèvre and B. Rigutto. She is a graduate of the Department of Music Studies of the University of Athens. Her collaboration with the Greek National Opera started in 2006, and since 2009 she holds the position of Studienleiterin and Cast Artistic Advisor. During this period, she has collaborated with some of the most renowned Greek conductors, among which L. Karytinos, E. Voudouris, V. Christopoulos, G. Petrou, M. Michailidis, M. Logiadis, M. Chryssicos, Z. Tsokanou. She has teamed with K. Karydis and the Vienna Philharmonic Orchestra, as part of the Salzburg Festival production of Die Zauberflöte (June-August 2018), where she was in charge of the music preparation as well as playing the continuo part during the performances.
Frixos Mortzos Piano
Born in Athens, he started his first music lessons with his grandfather, the composer Dionysios Visvardis. He studied piano and theory at the National Conservatory of Athens, the Alex Tournaissen Conservatory and the Richard Strauss Conservatory in Munich. He also studied at the Vienna National Conservatory and the Vienna Music Academy, where he specialized in chamber music, soloist accompaniment and Lieder. Since 1995 he has been working at the Greek National Opera. He has performed in concerts throughout Greece, in most European countries, as well as in Cyprus, Egypt, Turkey and Latin America.
“Elle”, She, through a long telephone call with interruptions and pauses, experiences the painful epilogue of a love affair with her beloved one, “son chéri”.
A monologue about betrayed love and the absolute loneliness beyond gender, age and time.