Antichrist
Alternative Stage
Antichrist

Music theatre - Ioannis Angelakis

April 2027
Δημιουργική Ομάδα

Music: Ioannis Angelakis 
Choreography: Alexandros Vardaxoglou
Dramaturgy consultant: Kharálampos Goyós
Sets, costumes: Artemis Flessa 
Lighting and video design: Giorgos Agiannitis |

Female figure: Irini Bilini-Moraiti, Male figure: Christos Kechris 

Musicians from the Ergon Ensemble: Kostas Tzekos bass clarinet, Guido de Flaviis baritone saxophone, Andreas-Rolandos Theodorou trombone, Faidon Miliadis violin

 

 

 

 

 

 

Πρωταγωνιστές Παράστασης

Ticket prices: €15, €20 • Students €10 | Tickets on sale from: 1/11

 

Alternative Stage

Music theatre

Antichrist

Ioannis Angelakis

Available Dates

  • 09, 10, 11, 16, 17, 18 Apr 2027

Music theatre • New production • A GNO Alternative Stage commission

GNO Alternative Stage – SNFCC

Starts at: 20.30 (Sunday: 19.30)

 

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Alternative Stage Founding Donor

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Major Sponsor of the Greek National Opera

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Evil didn’t come from the outside. It spoke our language. It wore a voice.”

Antichrist by Ioannis Angelakis is a new music-theatre performance in which sound lies at the core of the dramaturgy, acting as a force that brings the stage action to life. Musicians and singers on stage are seamlessly integrated into the choreography, lighting, and electronic soundscape, forming a unified expressive body.

The performance is woven as a sequence of symbolic and allusive tableaux that explore historical figures of evil and otherness. Drawing on theological, mythological, and literary archetypes from horror cinema, the history of psychopathology, and contemporary post-humanist theories, the work examines the mechanisms by which fear of otherness takes shape, assumes a body, and acquires a narrative.

Here, the Antichrist is treated not as a religious figure but as a powerful cultural symbol. From this perspective, the performance examines how evil has been projected throughout history onto identities stigmatized as deviant and dangerous. The performance is a choreography of forces, in which sound transforms into flesh, and the familiar is stripped away, revealing its most uncertain aspects. The audience is not called upon to interpret it but to co-exist with the unfamiliar, measure themselves against its myths and the fears that shape our collective narratives, and reflect on the limits of human understanding.