Charlotte: Operatic monodrama
Alternative Stage
Charlotte: Operatic monodrama

Music theatre - Lina Zachari

June 2024
Δημιουργική Ομάδα

Music, libretto: Lina Zachari
Musical direction: Myrsini Hatzikonstanti
Director: Rinio Kyriazi
Set designers: Nektaria Iliaki, Natalia Manta
Lighting designer: Stevi Koutsothanasi

Πρωταγωνιστές Παράστασης

In the role of Charlotte Ioanna Forti

 

Marianna Nikolakopoulou (piano, celesta - music preparation)
Dionysis Vervitsiotis
(violin)
Vanessa Athanasiou
(violin)
Antilochos Tranos
(viola)
Asterios Pouftis
(cello)
Nikos Tsoukalas
(double bass)
Krinio Trullou
(oboe)
Yannis Kritikos
clarinet)

 

 

Ticket prices: €12, €15
Students, children: €10

Alternative Stage

Music theatre

Charlotte: Operatic monodrama

Lina Zachari
A co-production of the GNO Alternative Stage

Available Dates

  • 13, 15 Jun 2024

Music theatre • Premiere

Greek National Opera Alternative Stage
Stavros Niarchos Foundation Cultural Center

Starts at: 20.30 | clock

YPPO RGB GR

 

Alternative Stage founding donor

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Alternative Stage sponsor: PPC (Public Power Company)

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The operatic monodrama Charlotte with music and a libretto by Lina Zachari, based on Johann Wolfgang von Goethe’s The Sorrows of Young Werther (Die Leiden des Jungen Werthers) and Rolan Barthes’ A Lover’s Discourse (Fragments d'un discours amoureux), will be presented at the GNO Alternative Stage for two performances on 13 and 15 June, at 20.30. The production is directed by Rinio Kyriazi, while Myrsini Hatzikonstanti conducts the eight-member instrumental ensemble. Mezzo-soprano Ioanna Forti will be performing the title role.

The work Charlotte centers on unfulfilled desire. The heroine, sunk in an unbearable grief caused by the suicide of her beloved Werther, finally confesses her love, in a transcendental delirium, where she pits herself against her limitations. In a dark room where she confines and traps herself, the conscious and the unconscious, truth and fantasy merge into a fluid musical environment. In her dream, the deepest and most unfamiliar parts of herself awaken – alarming, insatiable, tender, subversive –, weaving the web of her inner journey and opening unexpected pathways. By daring to listen to them, the heroine is eventually led to freedom.

In this “obscene” direction, as per Georges Bataille, which tarnishes the image of the “young Virgin Mary”, what is justified is not only the truth of the heroine but also the essence of lyric art: people sing when words are no longer enough.