Don Quixote
Stavros Niarchos Hall
Don Quixote

Ballet - Thiago Bordin, Marius Petipa / Ludwig Minkus

March - May 2020
Δημιουργική Ομάδα

Stathis Soulis

Thiago Bordin, based on Marius Petipa's choreography

George Souglides

Mary Katrantzou

Christos Tziogkas

Eirini Vianelli

Πρωταγωνιστές Παράστασης

Eleana Andreoudi (20, 26/3), Ayuka Nitta (21/3), Christina Makridou (29/3, 5/4), Maria Kousouni (26/4, 16/5)

Vangelis Bikos (20, 26/3, 26/4, 16/5), Giordano Bozza (21/3), Danilo Zeka (29/3, 5/4)

With the GNO Orchestra, Principal Dancers, Soloists, Demi-Soloists and Corps de Ballet


Ticket prices: 15, 20, 30, 35, 40, 45, 50, 70 euros
Students, children: 12 euros
Limited visibility seats: 10 euros


Stavros Niarchos Hall

Don Quixote

Thiago Bordin, Marius Petipa / Ludwig Minkus

Available Dates

  • 20, 21, 26, 29 Mar 2020
  • 05, 26 Apr 2020
  • 16 May 2020

Greek National Opera Stavros Niarchos Hall
Stavros Niarchos Foundation Cultural Center

Starts at: 20.00 (Sundays: 18.30)  |  clock

* In line with the precautionary measures announced by the Greek State for the protection of public health, the Greek National Opera announces that the performances of the GNO Ballet production Don Quixote scheduled for March will be suspended. At the end of the month there will be an update about the performances of April and May

The production is made possible by a grant from the Stavros Niarchos Foundation (SNF) to enhance the Greek National Opera’s artistic outreach.


Production sponsor

GNO Ballet sponsor


The Greek National Opera’s Ballet presents Marius Petipa’s classical choreography for Don Quixote, which was first presented in 1869 at the Bolshoi Theatre in Moscow and its revised version in 1871 at the Mariinsky Theatre in Saint Petersburg.

The story of the ballet draws mainly upon the second volume of Cervantes’ Don Quixote and focuses on the love between Quiteria (Kitri in the ballet) and barber Basilio.

Ludwig Minkus studied music in Vienna and already at the age of twenty he played the violin, composed and conducted orchestras. A few years after immigrating to Russia, he was appointed supervisor of the orchestras of the Imperial theatres of Moscow. He composed music for many ballets, some of which to choreographies by Petipa.

Marius Petipa travelled at an early age to Spain, where he was especially drawn to traditional dances. In his Don Quixote Petipa tries to transfer the images and colours of Spain, offering an exceptional rendition of the Spanish music tradition through his choreography. The fruit of the collaboration between Minkus and Petipa was met from the very beginning with huge success, that resulted in establishing Don Quixote as a timeless masterpiece in the world ballet repertoire.

Even today Don Quixote is a great challenge for classical dancers, due to its high degree of technical difficulty, while the way in which it is rendered is decisive for the quality of a ballet ensemble. It is no coincidence that it in the world of classic dance it has become customary to say that “a team that can render Don Quixote correctly can dance everything”.